I have been a die-hard Spider-Man fan since I was three and being a big movie buff as well, I thought I could put those two loves together and write a Spider-Man 4 script that I would love to see on the big screen.
As many of the storylines were wrapped up in Spider-Man 3, I wanted to continue the story with the next chapter in Peter Parker's journey but breathe some new life into the story that, by the end, will be a nice set up for future Spider-Man films. This spec script is loosely inspired by the popular "Kraven's Last Hunt" storyline. The synopsis is as follows:
Having lost both his best friend and the love of his life, Peter Parker tries to push his personal and professional life forward after graduating from University. But both Peter's future and that of his superhero alter-ego are threatened when two foreigners come to New York with a plot to bury Spider-Man once and for all. After seemingly defeating Spider-Man, with the help of The Chameleon, Kraven the Hunter takes up Spidey's post of New York's "protector", throwing the city into a deadly panic only one man can end. But will our hero rise from the ground or is this truly the end for the city... and for Spider-Man?
If you have read the entire script, I'd love to hear your feedback in the comment section below. Please share your thoughts on everything from Mary Jane's departure to the use of villains, but please give large spoiler warnings in regards to the script's twists. I will frequent the board and respond to as many posts as I can.
Enjoy! And if you're a reputable production company or talent agency and like my work, I'd love to hear from you.
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Based on characters owned by Marvel Entertainment, Inc. This script is Un-Official. It is not associated with Marvel. It uses content copyright by Marvel, without permission as fan-fiction. This material is used for the purposes of informed discussion, and is not intended to interfere with Marvel's right to use said material for their own commercial goals.
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I did have an elaborate idea for a Spider-Man 5 script. I don't plan to write it though as I'm focusing my time working on my own ideas that I might actually be able to sell. Right now, I'm rewriting a horror/comedy I wrote last summer and hope to start submitting that to managers and production companies in a few months.
I'm glad you liked the script so much! Thanks for taking the time to read it!
I registered my script with the WGAW the way it's presented here with the title "Spider-Man 4". I have registered all my scripts with the WGAW. The WGA site details what part of a script is legally protected and other benefits of registering. I realize this script is a bit different as I don't own the characters. I registered it nonetheless however just in case someone else tries to take credit for my work and also as a deterrent for anyone to try and do so.
While I only loosely based the story on Kraven's Last Hunt, in that story he was buried alive (like in my screenplay, with air ducts) while Kraven took over his life. But Kraven's motivation is the same as through every Kraven story told in the comics. Honor and integrity (at least as he sees it). He has always hunted big game with nothing but success but becomes obsessed with killing Spider-Man because he's the only game that not only can't kill but that won't go the next step and give his opponent an honorable death. Nothing is more important to Kraven than honor. Maybe not a strong enough motivation for a Tom Clancy-based thriller but in my opinion, it's grounded enough for a comic book themed movie, especially in a series where the villains for the most part have not had much more in the way of motivation (Green Goblin hated Spider-Man because he wouldn't join up with him, Venom because he blamed Peter for taking his girl and getting him fired, etc.)
In regards to the lack of a Peter love story, I totally respect what you're saying. I did that for two reasons... one being the last three movies focused on it so much and the other that I have never seen a super hero movie where the main character didn't have a love interest and wanted to prove that it could be done. I let Betty and Ned have the love story and Peter had to deal with other issues in this film. I think it worked but again, I completely respect that you thought the script was lacking because of it. One other person posted that they missed Mary Jane. All a matter of opinion on what people want to see.
No Spider-Man 5 in the works, at least for now. I did plot out a story that took place over the holidays (the first Christmas superhero movie?) and focused on family issues in Peter' and Aunt May's life as well as Curt Conner's (The Lizard). As well, Peter had a new love interest (Liz Allen) and Mary Jane would return to the series. The new Spider-Man reboot will feature The Lizard so it will be interesting to see where they go with that. Like you said, it does take along time to write a script and I'm focusing on writing my own stuff. That said, I have plotted out a Batman script but we'll see :) Best of luck with your Teen Titans script!
Kudos.
That said, I give you my opinion. I think the screenplay shows a great deal of skill and a good understanding of what makes a scene good. There are some great moments here and there, I'm talking real crowd-pleasers. But overall, I think it's a flawed work. It would have a hard time being on the same level with Spidey 1 and 2, and I think that lies in the way the villain Kraven was written.
SPOILER WARNING: He's too simplistic, his motivations are too flimsy. He's had a good deal from life so far as the star of his own TV show and a millionaire, but he throws it all away just to kill Spider-Man? Is that all he's interested in? Why? With such a sociopathic behavior, how did he stay out of jail for so long? And Parker's arc in the story reaches its lowest of lows here nor because of his quarrels with responsibility or whatnot, but because... he was literally buried. I didn't understand what that was supposed to represent, if something. What's the underlying meaning behind that, in the larger scale of things within the film? What I mean is, how does that relate to the emotional and philosophical side of things, so often present in the Spidey films? And how did he survive for so long? Plus, I actually thought that the absence of MJ would mean romance between Peter and Gwen, but there was none of that, and I kind of missed that aspect. As opposed to a TV episode, I think in a movie EVERYTHING should be at stake in the character's life; not just his professional ambitions, like here, but also the sentimental stuff. I know there was plenty of that in the past films, but still. I never read the Kraven saga, so I can't really say how close you stuck to it, but I get a sense that plenty, and that it actually hurt your conception for the movie. One last thing: Rhino's suit being created by two young nerds, and for no particular reason, would have raised plenty of eyebrows. I loved seeing him though, and I really dug the first battle in the university, with all the stoners and stuff. What I REALLY loved was seeing Spidey throw his wisecracks all over the place. That, the JJ cutouts, the Peter/May relationship and the Bruce Campbell scene are what I mean by great, crowd-pleasing moments. END SPOILERS.
I honestly wouldn't have bothered if you didn't seem, judging from the site introduction, like the kind of guy who can take criticism. Looking forward to your Lizard-centric Spider-Man 5!
read dialogue outloud, that is the missing piece to your puzzle. get a handle on that, and we won't be reading your scripts online, we'll be watching them on the screen. very very well done.
your structure is solid, your pacing is solid, all the 'hardware' parts needed for a successful script are there...i'm just not feeling any of the heart. the words are too stiff, and in a time when comic book films are being taken more serious than ever, I feel that dialogue is critical.
i just couldn't help but be distracted by how cheesy everyone speaks.
I'm sorry. i'm not trying to be a prick - honest - i am a writer too and know how difficult the whole process is. i just don't feel i would be doing you any justice if i didn't bring that into my response. all the other parts are there...maybe just read the dialogue outloud and you might be able to better hear how cheesy the characters are sounding? that always helps me out.